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Alice Sebold’s The Lovely Bones Reviewed by Michael Griffin I didn’t get around to reading this book immediately, despite seeing almost everyone around me on public transportation, park benches and Starbucks shops reading it. The reason for my
reluctance was due to the subject matter, the
death of someone, especially since my grandmother had passed away several
weeks prior. My church youth network was going to start reading the book
and discussing it in context to our faith, so I went ahead and bought the
book. I'm glad that I did. The book begins with the protagonist, Susie
Salmon ("Just like the fish," she says) walking home, and is told from her
first-person point of view. The second sentence was short, stark, and hit
me like a punch to the face: "I was fourteen when I was murdered on
December 6, 1973." The story starts quickly, in the first few pages, she
recounts meeting the man who murders her and then tumbling into the state
that she is now. After that, the book goes into a roller-coaster of
emotion that had me alternately talking to the other people in the book in
frustration at what they were missing in their search for Salmon’s killer
to an ending that at first–reading to be truly heart-warming, while albeit
being a bit hokey. In reflection though, the choices that Sebold makes
Salmon make are quite a bit puzzling, but overall, Sebold's fresh writing
voice carries it through, as she convincingly writes from the perspective
of a precocious 14-year old. In her new incarnation, Salmon is able to go to every place that she has been, from her home, where both her brother and sister are coping with her death in their own ways while her father makes finding his daughter’s killer an obsession, which drives her mother to an ill-conceived affair. The supporting cast of a psychic friend, a boyfriend who she wishes to have a first-kiss with to an overbearing, alcoholic grandmother rounds off an interesting group of people for Salmon to check in on. Naturally, she also checks in on the man that killed her, who happens to be her neighbor. This is a simple book, with an unconvoluted plot and a cast of characters that are easy to remember, and is also a short book, weighing in at 288 pages, taking me a mere two days to read, but it has a lot of re-readability. The fact that this is Sebold’s first foray into fiction is astonishing too. I hope she doesn’t hit a sophomore slump like Donna Tartt. The best thing about this book? It’s a book that my grandmother would have enjoyed as well, and we could have had discussions about it. Michael Griffin is an avid book reader who first started reading books in the first grade. After polishing off the children’s section of his school’s library in one semester, he moved on to books without pictures during the second semester of first grade, and hasn’t looked back since. He lives in NYC, and has contributed to the Square Table previously, recounting his experiences as a deaf person in a hearing world in the Fall 2002 edition of the TST. |
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